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Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s

 

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Sandro Botticelli Adoation of the Magi (mk36) oil painting

Painting ID::  24990

X 
 

Sandro Botticelli
Adoation of the Magi (mk36)
1475-1476 Standing on left Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Giorgio Vasari,Portrait of Lorenzo the Magnificent (mk36) oil painting

Painting ID::  24991

X 
 

Sandro Botticelli
Giorgio Vasari,Portrait of Lorenzo the Magnificent (mk36)
1534 Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Portrait of Giuliano de'Medici (mk36) oil painting

Painting ID::  24992

X 
 

Sandro Botticelli
Portrait of Giuliano de'Medici (mk36)
c.1478 Washington,National Gallery of Art
   
   
     

 

 

Sandro Botticelli Mago wearing a red mantle (mk36) oil painting

Painting ID::  24993

X 
 

Sandro Botticelli
Mago wearing a red mantle (mk36)
Older kneeling Mago personage wearing a green mantle,
   
   
     

 

 

Sandro Botticelli Young kneeling Mago (mk36) oil painting

Painting ID::  24994

X 
 

Sandro Botticelli
Young kneeling Mago (mk36)
man in a short black tunic,Stanking on the right
   
   
     

 

 

Sandro Botticelli Gentile da Fabriano,Adoration of the Magi (mk36) oil painting

Painting ID::  24995

X 
 

Sandro Botticelli
Gentile da Fabriano,Adoration of the Magi (mk36)
1423 Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Benozzo Gozzoli, (mk36) oil painting

Painting ID::  24997

X 
 

Sandro Botticelli
Benozzo Gozzoli, (mk36)
Cavalcade of the MAGI 1450 Florence,Palazzo Medici Riccardi
   
   
     

 

 

Sandro Botticelli Adoration of the Magi (mk36) oil painting

Painting ID::  24998

X 
 

Sandro Botticelli
Adoration of the Magi (mk36)
1475-1476 Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Young man in a Yellow mantle (mk36) oil painting

Painting ID::  24999

X 
 

Sandro Botticelli
Young man in a Yellow mantle (mk36)
Datail of the Adoration of the Magi
   
   
     

 

 

Sandro Botticelli Pontormo,portrait of Cosimo the Elder (mk36) oil painting

Painting ID::  25000

X 
 

Sandro Botticelli
Pontormo,portrait of Cosimo the Elder (mk36)
1519-1520 Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli St Augustine in his Study (mk36) oil painting

Painting ID::  25001

X 
 

Sandro Botticelli
St Augustine in his Study (mk36)
c.1480 Detached fresco,Florence,Ognissanti
   
   
     

 

 

Sandro Botticelli Domenico Ghirlandaio,St Jerome in his Study (m,k36) oil painting

Painting ID::  25002

X 
 

Sandro Botticelli
Domenico Ghirlandaio,St Jerome in his Study (m,k36)
c.1480 Detached fresco,Florence,Ognissanti
   
   
     

 

 

Sandro Botticelli Details of  St Augustine in his Study (mk36) oil painting

Painting ID::  25003

X 
 

Sandro Botticelli
Details of St Augustine in his Study (mk36)

   
   
     

 

 

Sandro Botticelli St Augustine in his Study (mk36) oil painting

Painting ID::  25004

X 
 

Sandro Botticelli
St Augustine in his Study (mk36)
c.1480 Detail of the Vespucci coat-of-arms Florence,Ognissanti
   
   
     

 

 

Sandro Botticelli St Augustione in his Study (mk36) oil painting

Painting ID::  25005

X 
 

Sandro Botticelli
St Augustione in his Study (mk36)
c.1480 Details of lectern with open book. Florence,Ognissanti
   
   
     

 

 

Sandro Botticelli St Augustine in his Study (mk36) oil painting

Painting ID::  25006

X 
 

Sandro Botticelli
St Augustine in his Study (mk36)
c.1480 Detail of the armillary sphere Florence,Ognissanti
   
   
     

 

 

Sandro Botticelli Annunciation of San Martino alla Scala (mk36) oil painting

Painting ID::  25007

X 
 

Sandro Botticelli
Annunciation of San Martino alla Scala (mk36)
1481 Florence,Galleria degli Uffizi
   
   
     

 

 

Sandro Botticelli Madonna and child or Madonna of the Bood (mk36) oil painting

Painting ID::  25008

X 
 

Sandro Botticelli
Madonna and child or Madonna of the Bood (mk36)
1480-1481 Milan,museo Poldi Pezzoli
   
   
     

 

 

Sandro Botticelli Portrait of Dante Alighieri (mk36) oil painting

Painting ID::  25009

X 
 

Sandro Botticelli
Portrait of Dante Alighieri (mk36)
1490-1495 Le grand cologny,
   
   
     

 

 

Sandro Botticelli The infernal Abyss (mk36) oil painting

Painting ID::  25010

X 
 

Sandro Botticelli
The infernal Abyss (mk36)
1481-1487 Vatican City. Biblioteca Apostolica Vaticanva
   
   
     

 

       Prev    1  2  3  4  5  6  7  8  9  10     Next

 

Sandro Botticelli
Italian Early Renaissance Painter, 1445-1510 Italian painter and draughtsman. In his lifetime he was one of the most esteemed painters in Italy, enjoying the patronage of the leading families of Florence, in particular the Medici and their banking clients. He was summoned to take part in the decoration of the Sistine Chapel in Rome, was highly commended by diplomatic agents to Ludovico Sforza in Milan and Isabella d Este in Mantua and also received enthusiastic praise from the famous mathematician Luca Pacioli and the humanist poet Ugolino Verino. By the time of his death, however, Botticelli s reputation was already waning. He was overshadowed first by the advent of what Vasari called the maniera devota, a new style by Perugino, Francesco Francia and the young Raphael, whose new and humanly affective sentiment, infused atmospheric effects and sweet colourism took Italy by storm; he was then eclipsed with the establishment immediately afterwards of the High Renaissance style, which Vasari called the modern manner, in the paintings of Michelangelo and the mature works of Raphael in the Vatican. From that time his name virtually disappeared until the reassessment of his reputation that gathered momentum in the 1890s